Tagged with: Antonin Dvorak
This year’s concert – part of the Year of Czech Music 2024 – explored Dvořák’s early and revealing String Quartet no.4 in E Minor; a further fascinating compositional rarity in the String Quartet Movement in F Major; plus selections from the exquisite, ever-romantic Cypresses.
The acclaimed Sullivan Quartet returned for the latest installment in DAHA’s unprecedented series exploring the entire chamber music repertoire of Antonín Dvořák. For this occasion they shared with the audience three gems from the Dvořák canon.
Organized by violinist Laura Jean Goldberg and featuring the Sullivan String Quartet, the program was drawn from Dvořák’s prolific output of chamber works.
DAHA’s concert of Sunday, September 24th ended with a standing ovation for the superb New York Philharmonic musicians and friends. It was the second annual concert in DAHA’s multi-year survey of Dvořák’s complete chamber works.
On March 26, 2017, the Aaron Copland School of Music Orchestra returned to the Bohemian National Hall for a performance of Antonín Dvořák’s world-famous “Cello Concerto” under the baton of Maestro Maurice Peress.
On Sunday, February 26th, DAHA presented a panel discussion for Black History Month in which distinguished scholars and musicians explored the social and aesthetic history and outcomes of Dvořák’s significant connections with the late 19th century African-American community as he composed the “New World” Symphony.