info@dvoraknyc.org
Bibliography
Aborn, Merton Robert. The influence on American musical culture of Dvorak's sojourn in America. Thesis, Indiana University, 1965.
Alexander, P. 'Tracking the Wrong Indians', Czech Music, xviii/2 (1993–4), 52-63.
Beckerman, Michael. 'Dvorak's "New World" Largo and The Song of Hiawatha', 19 Le choeur des muses, xvi (1992–3), 35–48.
_________. New worlds of Dvorak : searching in America for the composer's inner life. New York: Norton, c2003.
_________. 'On the Real Value of Yellow Journalism: James Creelman and Antonin Dvorak' Czech Music, xviii/2 (1993–4), 83-100.
Beveridge, D. 'Sophisticated Primitivism: the Significance of Pentatonicism in Dvorak's American Quartet', Current Musicolgy, no.24 (1977), 25–36.
Burghauser, J. Antonin Dvorak: Thematický katalog, bibliografie prehled zivota a díla [Thematic catalogue, bibliography, survey of life and work] (Prague, 1960, enlarged 2/1996, addl. bibliography with J. Clapham).
Burghauser, J. Antonin Dvorak: Life & Work. Translated by David R. Beveridge. (Prague: KLP, 2007).
_________. 'Dvorakuv návrh americké hymny', [Dvorak's American anthem project], Hudební rozhledy, xlv (1992), 131–134.
Clapham, J. 'Dvorak and the American Indian', Musical Times, cvii (1966), 863–867.
_________ and G. Melville-Mason: 'Dvorak in a New Role: Dvorák and the Economic Depression of 1893', Czech Music, xviii/2 (1993–4), 100-126.
_________. 'Dvorak on the American Scene', 19 Le choeur des muses, v (1981–2), 16–23.
_________. 'Dvorak's Cello Concerto, a Masterpiece in the Making', Music Review, xl (1979), 123–140.
_________. 'Dvorak's Musical Directorship in New York', Music and Letters, xlviii (1967), 40–51.
_________ 'Dvorak's Musical Directorship in New York: a Postscript', Music and Letters, lix (1978), 19–27.
_________ 'The Evolution of Dvorák's Symphony "From the New World"', Musical Quarterly, xliv (1958), 167–183.
_________ 'Indian Influence on Dvorak's American Chamber Music', Musica cameralis: Brno VI 1971, [music exx, 525] 174-256. Dvorák, A. 'The Real Value of Negro Melodies', New York Herald (21 May 1893)
Dvorak, Otakar. Antonin Dvorak, My Father. Edited by Paul J. Polansky. (Spillville, Iowa: Czech Historical Research Center, Inc., 1993)
Kinscella, H.G. 'Dvorak and Spillville, Forty Years After', Musical America, liii/10 (1933), 4, 49.
Klevar, H. and P. Polansky: 'The Dvorak Myths in Spillville', Czech Music, xviii/2 (1993–4), 64-72.
Loven, J.J. Dvorak in Spillville: 100 days, 100 years ago 1893–1993 (Spillville, IA, 1993)
Peress, Maurice. Dvorak to Duke Ellington : a conductor explores America's music and its African American Roots. New York: Oxford University Press, 2004.
Schick, H. 'What's American about Dvorak's "American" Quartet and Quintet', Czech Music, xviii/2 (1993–4), 72–83.
Stöckl, K. and K. Döge. Antonin Dvorak, Sinfonie Nr.9 e-moll, op.95 'Aus der Neuen Welt': Einführung und Analyse (Mainz, 1982)
J.C. Tibbetts, ed.: Dvorak in America 1892–1895 (Portland, OR, 1993)
Yoell, J.H. Antonin Dvorak on Records (New York, 1991)
Alexander, P. 'Tracking the Wrong Indians', Czech Music, xviii/2 (1993–4), 52-63.
Beckerman, Michael. 'Dvorak's "New World" Largo and The Song of Hiawatha', 19 Le choeur des muses, xvi (1992–3), 35–48.
_________. New worlds of Dvorak : searching in America for the composer's inner life. New York: Norton, c2003.
_________. 'On the Real Value of Yellow Journalism: James Creelman and Antonin Dvorak' Czech Music, xviii/2 (1993–4), 83-100.
Beveridge, D. 'Sophisticated Primitivism: the Significance of Pentatonicism in Dvorak's American Quartet', Current Musicolgy, no.24 (1977), 25–36.
Burghauser, J. Antonin Dvorak: Thematický katalog, bibliografie prehled zivota a díla [Thematic catalogue, bibliography, survey of life and work] (Prague, 1960, enlarged 2/1996, addl. bibliography with J. Clapham).
Burghauser, J. Antonin Dvorak: Life & Work. Translated by David R. Beveridge. (Prague: KLP, 2007).
_________. 'Dvorakuv návrh americké hymny', [Dvorak's American anthem project], Hudební rozhledy, xlv (1992), 131–134.
Clapham, J. 'Dvorak and the American Indian', Musical Times, cvii (1966), 863–867.
_________ and G. Melville-Mason: 'Dvorak in a New Role: Dvorák and the Economic Depression of 1893', Czech Music, xviii/2 (1993–4), 100-126.
_________. 'Dvorak on the American Scene', 19 Le choeur des muses, v (1981–2), 16–23.
_________. 'Dvorak's Cello Concerto, a Masterpiece in the Making', Music Review, xl (1979), 123–140.
_________. 'Dvorak's Musical Directorship in New York', Music and Letters, xlviii (1967), 40–51.
_________ 'Dvorak's Musical Directorship in New York: a Postscript', Music and Letters, lix (1978), 19–27.
_________ 'The Evolution of Dvorák's Symphony "From the New World"', Musical Quarterly, xliv (1958), 167–183.
_________ 'Indian Influence on Dvorak's American Chamber Music', Musica cameralis: Brno VI 1971, [music exx, 525] 174-256. Dvorák, A. 'The Real Value of Negro Melodies', New York Herald (21 May 1893)
Dvorak, Otakar. Antonin Dvorak, My Father. Edited by Paul J. Polansky. (Spillville, Iowa: Czech Historical Research Center, Inc., 1993)
Kinscella, H.G. 'Dvorak and Spillville, Forty Years After', Musical America, liii/10 (1933), 4, 49.
Klevar, H. and P. Polansky: 'The Dvorak Myths in Spillville', Czech Music, xviii/2 (1993–4), 64-72.
Loven, J.J. Dvorak in Spillville: 100 days, 100 years ago 1893–1993 (Spillville, IA, 1993)
Peress, Maurice. Dvorak to Duke Ellington : a conductor explores America's music and its African American Roots. New York: Oxford University Press, 2004.
Schick, H. 'What's American about Dvorak's "American" Quartet and Quintet', Czech Music, xviii/2 (1993–4), 72–83.
Stöckl, K. and K. Döge. Antonin Dvorak, Sinfonie Nr.9 e-moll, op.95 'Aus der Neuen Welt': Einführung und Analyse (Mainz, 1982)
J.C. Tibbetts, ed.: Dvorak in America 1892–1895 (Portland, OR, 1993)
Yoell, J.H. Antonin Dvorak on Records (New York, 1991)